
Curtis Ousley sure ended up with the perfect nickname!
King Curtis was indeed the "king" of
the rock & roll saxophone. His sound was big, rich, sweet and
very expressive. One of the few that you just know who it is when
you hear it.
Born in 1934, he was just a young teenager as the jump blues and
rhythm and blues scene of the 40's gave birth to rock & roll
by the end of that decade.
He had made his move from Texas to New York in the early 50's and
landed a gig with Lionel hampton's band. This was
the same band that Illinois Jacquet played with
about 10 years earlier. Jacquet of coarse had rocked the sax world
with his screaming sax solo on Flying Home with this same band.
King Curtis had noted alto players Earl Bostic,
Louis Jordan, and 2 fellow Texan tenors, Illinois
Jacquet, and Arnett Cobb as his main influences
on the saxophone.
He had his roots firmly planted in this honking and screaming rockin'
R&B sax style that dominated this genre of music in the 40's
and 50's. But as the 50's wore on, the music changed and so did
King Curtis.
His versatility showed as he went from the swingin' big bands
and smaller jazz combos like Horace Silver through
the rock & roll groups like The
Coasters and Buddy Holly
to soul like Aretha Franklin
and Wilson Pickett.
One of the last recordings he did was in July, 1971 for the John
Lennon album Imagine. Curtis was killed
later that summer, August 13th.


 
Above are just a small handfull of the many album's King Curtis
recorded. From left to right; Live at The Fillmore West,
1971 - Blow Man Blow!, 1962 - The Best
of King Curtis, 1962 - Soul Meeting, 1960
- Live at Small's Paradise, 1957
There are close to 60 King Curtis
albums counting all the compilations and imports. He was the most
in demand session saxophonist of his time and appears on close to
220 other albums as a sideman!
Here is a small list;
Big Joe Turner - Buddy Holly
- Ruth Brown - Delaney & Bonnie

Aretha Franklin - Goerge Benson
- Sam Cooke - The Rascals
Waylon Jennings - Freddie King
- Esther Philips - Nina Simone
Lavern Baker - The Coasters
- John Lennon - Eric Clapton
Duane Allman - Fats Domino - Roberta
Flack - Otis Redding
Wilson Pickett.
And...
Besides playing great sax solos on tons of records he produced and
arranged many of his recordings and other artists as well. But the
best thing about King Curtis is how lyrical his phrasing was and
how beautiful his tone sounded. As a player he inspired every saxophonist
who was interested in blues, R&B, rock & roll, jazz and
soul.
Speaking of soul, he was obviously a big fan of Ray Charles. Much
of the soul and R&B stuff he recorded had that feel to it. Like
Curtis's version of One Mint
Julep, a song also recorded by Ray Charles.
I don't know if he invented that "slapping" sound on
the reed but he was the first guy I knew of who did it... it's a
cool affect, check it out here.
Al Caiola is a guitarist who was just as busy in the New York recording
studio scene as King Curtis. These guys did many sessions together
and finally in 1962 released a fantastic and fun instrumental called
Guitar Boogie. This guy Al Caiola starts it with some really good
rock & roll picking and King Curtis sounds like he picked the
perfect reed that day... listen to a bit of Guitar Boogie
with Al Caiola and King Curtis

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